When Peso Pluma announced his ÉXODO Tour, presented by Corona, Texas fans already knew what was coming. But nothing could've prepared the state for what actually happened: three back-to-back sold-out arena shows in Houston, San Antonio, and Fort Worth — six consecutive sellouts counting the full run — that turned the Texas leg of the tour into the loudest, proudest moment of the year for Regional Mexican music.
This wasn't just a musician passing through. This was a GRAMMY-winner coming home, proving that the kid from San Antonio who once played regional ballrooms now fills NBA and NHL arenas — and gets there the way Texas likes: raw, real, and with his people around him.
Three Cities, One Statement
The Samuel Clemens Moment
Before the San Antonio show, Peso Pluma did something that made the whole city stop: he went back to Samuel Clemens High School — where he studied, where he became himself before the world knew his name. Photos of him walking those halls circulated instantly. Students lost their minds. Teachers cried. And that night at Frost Bank Center, every San Antonio fan in that arena knew exactly what they were there to witness.
That's the thing about Peso Pluma. He could've skipped that. Nobody would've said anything. But he went anyway. That's the kind of artist he is — someone who remembers where he came from and shows the receipts.
"Thousands of fans filled the arenas. He presented the new album, his iconic hits, covers that paid homage to the greats — and then he debuted a brand new song alongside Estevan Plazola. That's how you give a city a show."
— The ÉXODO Texas run, in one paragraphThe Setlist Experience
The ÉXODO show wasn't just a playlist of hits — it was a carefully constructed set that moved through his career and his influences. He played the new album front to back in stretches, then dropped into fan favorites, then paid tribute to the artists who came before him with covers that showed exactly who his mentors were.
In Fort Worth, he played "El Porte Inigualable" and "El Chapo Barrial" by Hijos del Baron. In San Antonio, he pulled out "Los Talibanes del Prieto" by Ariel Camacho — a deep cut that had that whole crowd in their feelings. And then, in the same show, he debuted "Vida No Te Acabes" alongside Estevan Plazola, giving fans a brand-new song they'd only ever hear live for the first time, right there, that night.
When Ivan Cornejo walked out in Fort Worth, the place erupted. Two of the most exciting voices in Latin music, sharing a stage in Texas — this is what makes these concerts matter. Not just the production. The moments.
Surprise Guests — By City
🎤 Special Appearances — ÉXODO Texas Run
What It Meant for Texas
We say this a lot about Texas concerts, but this time it's a fact backed by three consecutive sellouts: Texas is the center of Regional Mexican music right now. Not just a stop. The center. The artists who are moving the genre — Peso Pluma, Eslabon Armado, Natanael Cano, Xavi — they all have a Texas connection. The fans here don't just stream the music. They show up, they know every word, they drive hours from the valley, from the border, from all over the state.
Peso Pluma didn't invent that. But he proved it on this tour in a way that can't be disputed. Three cities. Three sold-out arenas. One Texas-raised, Texas-rooted kid who got very famous very fast and came home to remind everyone why.
We were watching. And we want to know what you saw.